This entertaining, inspirational book is divided into three chapters.Chapter One, Yesterday, covers the background on stickers and a brief overview of the history of graffiti. It explores how stickers came to have a place in the world of graffiti as street art came to be alongside writing.Chapter Two, Today, has the following subchapters: Earning Respect, Target Audience, Symbols, Risky Business, Techniques and Secrets, and Artists and Artworks. They tend to explore the philosophy of stickers in the graffiti world and are punctuated with quotes from artists. The techniques section is not a how-to but a description of different methods of application. The section on 26 international artists is a gallery of photographs alongside information about each artist.Chapter Three, Tomorrow, surmises about the acceptance as an art form by the public.All chapters are extensively illustrated with well-chosen photographs. I don’t mean to imply that this book is text-heavy: it’s not at all. There
Where can i get graffiti markers for like black books Graffiti Papers and paper not walls.?
Ineed some markers for graffitti like for paper please help.
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July 23rd, 2010 at 6:03 am
I just love the book. A great source of visual and written information about urban paper art.
July 23rd, 2010 at 5:58 pm
Graffiti has its poster board roots on city walls, typically – but this worldwide survey documents a new trend: paper works glued to city surfaces. The author is a graffiti artist who traveled around the world surveying street art: some eighty artists’ works are profiled in over 7,000 examples of this new ‘paper art graffiti, providing both a historical survey and insights into the special demands of the new ‘adhesive art’ medium. Any art library holding will find this an excellent and unique acquisition.
July 24th, 2010 at 6:20 am
An interesting and well-designed catalog of an emergent art form. I still consider most “Street Art” to be just a notch above blight and usually an eyesore, but this book revealed an imaginative world of design and artistic improvisation. Too bad Banksy’s too much the recluse to be profiled here, but his absence is made up for by the wide survey of international “stars.” Now I’ve caught myself paying more attention to the visual “noise” around me, looking for sly creative expressions. Too bad most of the graffiti, scratchiti, and tagging I see is still craptacular, and nowhere near as the intriguing as what’s shown off in this book.
July 24th, 2010 at 5:55 pm
Man, I can remember being like, 15 or 16 and getting this album. I didn’t really know what to expect but needless to say I’m still listening to this gem 20 years later. How wonderful it would be to be able to hear these songs for the first time, again. Who knows, maybe I’ll get lucky and be in an accident that causes total amnesia. But until then, all I can do is try and turn young people on to this masterpiece. If your a teenager who loves music and is looking for something to sink your teeth into, here it is. Buy it. You won’t regret it.
July 25th, 2010 at 6:00 am
…I wouldn’t say that like a new record, but slighty better than the same remaster pressed everywhere else since the 90s. Of course it has a miniature everything too…and yes, “the cough” is there.
July 25th, 2010 at 6:30 pm
When people think of led zeppelin, this period in their career is usually where people’s minds are taken to, Where they were the biggest they could be, their peak if you like. Meaning everything they did was a build up to this album and everything after, heads downwards.
The first disc is probably the hardiest led zeppelin had ever been, but anything with Kashmir is certainly not just hard rock. In fact the first disc is more funky based mostly on hard grooves (obviously coming from John paul Jones as he loved funk) that even on Trampled Under Foot they incorporate some Clav. The Rover is probably my personal favorite, which I know is odd, but it is just so perfect and that riff OOOHHH it’s so emotional!. Most people love Kashmir, with it’s dark arabic riff and amazing string arrangement which gives you the feeling that your flying in a helicopter over sandy deserts watching ants scorch to death under the rays of the sun.
The second disc is the heart of the album. In The Light, Bron-Yr-Aur, Down by The Seaside and Ten Years Gone are my favorite part on any led zeppelin album, they’re not my favorite tracks, but together they are masterpieces. Bron-Yr-Aur for a start is probably the reason why I rank Jimmy Page so high as a guitarist.
The rest of the album goes a bit rougher with songs like Boogie With Stu that might alienate you at first but after a while you love them like family. The album ends perfectly with Sick Again, which is just so powerful throughout, it always reminds me of Terminator 2 for some reason.
Anyway, get it you won’t regret it!
July 26th, 2010 at 5:51 am
Not much more to add because everything’s pretty much been said already. This collection of songs goes beyond standard rock fare. Here, Zepplin isn’t just making rock and roll, they’re making MUSIC; very good music that hits you with the intensity of a swift kick in the chops.
Yes, this is a fine rock album, complete with enough blues riffs to make guitarist Jimmy Page sound like he hails from the Mississippi Delta. Drummer John Bonham’s rhythms could register on the Richter scale and bassist/keyboardist John Paul Jones draws from an incredible pallette offering the most sublime color and texture – he has always been the band’s secret weapon. Robert Plant’s vocals shine throughout the album.
“Kashmir” is the crowning achievement here, and “The Wonton Song” has a delicious funk to it. Both “Trampled Under Foot” and “Custard Pie” have their own terrific grooves. “Physical Graffiti” is essential for any music library as well as for any budding Zep fan.