Free efficient info on L Graffiti Writing Letters
July 4, 2010 - 12:57 pm

Graffiti is the 3rd album by Chris Brown,a young talented entertainer.This album represents him,as an artist that is growing up in the music industry and taking more control over his music.He does a lot of writing on this album and I think he did a great job as he lets you inside the rollercoaster of his life in 2009.Vocally it is a pleasure to hear him show his range on songs like I NEED THIS and his maturity on songs TAKE MY TIME, and I’LL GO. I believe anyone who will take the time to Listen to the Music and not the problems of the past year will enjoy the album….Sweetie722
i am 15 years old if i get caught L Graffiti Writing Letters writing graffiti what happens? l?
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July 4th, 2010 at 2:13 pm
More American Graffiti is kind of sad to me. It shows how everone is living in 3 or 4 time zones. It’s sad that Terry the toad’s girlfriend forgets him and becomes a hippie. The ending is the most sad because you know John Milner is about to die because of a drunk driver. I probably wouldn’t recommend MORE AMERICAN GRAFFITI!!!
July 5th, 2010 at 2:51 am
You’d think this film would be awful. But it turns out to be a very nice ending to the first story. Most of the characters are back and we see where they logically wound end up by the late 60s. The late 60s are more interesting to me than the years captured in the first.
The film has a more mellow and sloppy pace than the first. But the stories in this one work that way. We’re watching 4 silly but still tragic mini-movies here.
The real strength is that we already know what happens to Toad and Milner thanks to the original. So as the film goes on, we’re waiting and waiting to see how it’s going to happen, which is cool. Knowing their sad fate really makes the ending perfect in a bittersweet way.
July 5th, 2010 at 2:20 pm
More American Graffiti was exactly what I figured it would be.
A movie made that doesn’t break new ground, but instead uses it as a foundation to make money for the cast, crew,
caterers, etc. Good for them, bad for most of us.
I will admit I am sequel bigot” with a deep abiding resentment against exploiting an original ideal which was the classic “American Graffiti”
I bought the second one so I could “have the complete set.”
But the two don’t make a set. The magic of the original is gone for the most part, great actors (Paul Lemat, Ron Howard) are going through the motions waiting for payday. What this–and most–sequels do is stain the memory of its original to the point of sacreligious. With few exceotions,
avoid films with “2″ or “More” in the title. “More American Graffiti” is
simply more money for the producers.
July 6th, 2010 at 2:46 am
Much has been made about how the magic of the first movie — American Graffiti — is lost in its sequel. However, that’s the whole point. As Vietnam and Equal Rights and hippie movements took center stage, America became a stranger, even to itself, and to that end, writer/director B.W.L. Norton and the returning cast do a very successful job of showing what and how happened after that night in 1962, when Curt went to college and everyone else stayed behind. We see John Milner still racing cars on the last day of his life (probably the most touching story in the movie … there is something so likable about Milner that you want him to kind of live forever), we see Toad going AWOL from that little firefight in southeast Asia, we see Steve and Laurie ironing out an unsatisfying marriage and we see Debbie (Candy Clark) doing the hippie thing in San Francisco. It has become a darker world in a few short years, and these kids who came of age in 1962 are having a hard time in it. The soundtrack doesn’t end with the optimistic chorus of the Beach Boys, but rather the soulful cry of Bob Dylan. The soundtrack in this case has to do quadruple duty because the movie takes us from 1964 through ‘68 in a series of innovative, frankly mind-blowing segments. To this end, ‘More American Graffiti’ achieves its greatest success, ferrying us through four distinct time periods of the 60s using four very distinct cinematic devices. Toad’s Vietnam is grainy and news footage-like, Debbie’s San Francisco is split into three colorful screens, all doing the same thing but in a different way. Milner’s 1964 California is clean and sharp. And as we see him drive off in his yellow Deuce Coup, we know he is headed for the drunk driver that will kill him. It’s sad, yes … in fact, ‘More American Graffiti’ is ultimately a bittersweet movie. Where ‘American Graffiti’ left us on the first morning of the rest of the kids’ lives, ‘More Graffiti’ takes us through those lives, with all the little joys and greater sadnesses they contain. This is a very good movie. If you’d rather not really know what happened to Curt and Steve and Milner after 1962, that’s okay. But if you want to catch up with them and see how it’s turning out, this movie is the place to do it.
July 6th, 2010 at 2:36 pm
AMAZING book!!! alot of good shots from alot of LA’S best! i highley recommend this book!!!
July 7th, 2010 at 2:29 am
This book covers many of the crews and writers of LA graffiti, past and present. There’s history, interviews, and LOTS of photos. The DVD has even more images on it.
I hesitated to review this books since I’m not super-knowledgeable about the graffiti culture, but for me it was a revelation, filling a lot of the details of the whys and hows of the work, and showing me more pieces that I’d ever be able to see in person, even if I drove around LA for a couple of weeks.
July 7th, 2010 at 2:23 pm
Ample photos and interesting text…a fine book to own if one is interested in graffiti art in the LA area
July 8th, 2010 at 2:30 am
Graff is a big part of the L.A culture (if you live here, you already you know this.) Do yourself a favor and buy this book. There are a lot of good insights to how and what got the graff ball rolling, and where it might potentially go.
Big up’s to those cats from K2STN/LABS RI1,GB88,VX,CL,SHN,CRTN,GL,DFR,TLR…etc
July 8th, 2010 at 2:07 pm
It was important to me that the movie’s image format is “anamorphic widescreen”, which is what makes it look normal on a modern HDTV. This is not always the case with DVD movies (especially older editions). And the ones that really are anamorphic widescreen are not always labeled as such. This double-feature edition of “American Graffiti” and “More American Graffiti” is not only anamorphic widescreen, but the quality of the transfer seems very good. Considering the 1970s vintage of the film technology, I think the quality is just fine.
And it was a blast seeing American Graffiti for the first time since its first run. It’s kind of funny having nostalgia about a movie which is about nostalgia.
July 9th, 2010 at 2:44 am
I wanted a copy of American Graffiti and the added more American Graffiti set me over the top. The price was right. I enjoyed both. The latter really showed how time changes things whether we want it or not. It was much more melancoly than the original, but that is life.
July 9th, 2010 at 2:02 pm
The movies are just fine, but the quality of the DVD is horrible. The soundtrack is such that it requires the volume on the TV to be turned up over twice as much as any other DVD requires. It’s like watching the movies with earplugs in.
July 10th, 2010 at 2:06 am
The original movie is classic. If you spent all Friday night “cruising” back in the 60’s, this will bring back fond memories. Definitely 5 stars. The sequel is terrible – no stars.