Free useful guide on Musical Graffiti Hoodie Bugis
August 10, 2010 - 5:05 pm
i remember when this show aired in 1984. the only reason it wasnt pick up was the fcc didnt understand the slang being spoken on the show. thats why im so glad i finally own my own copy.
RHH: How hip hop died, musical accompaniment by Common Sense (for that one cat, no one else look)……….?
http://www.youtube.com/watch?v=C99iG4HoO1cHip Hop started in NY for those who didn’t know. Anyway, once upon a time there lived broke black folk in the streets of NY who ain’t have shyt to do but wrong. Then in like super ni99er comes a guy named Kool DJ Herc, which we all know. Back then there was know rap music, which it seems must of us forget at times, so he brought out his equipment and rocked out with some funk and soul shyt like this, inspiration to black people music.http://www.youtube.com/watch?v=UuR-kDVMoqEAs you can tell from the song this is nothing like music today, it’s funky, fast. Back then dudes could get funky to this and dance. Mixing James Browns moves with that Wu Tang Kung Fu movie shyt gave way to B-Boys/break dancing (important fact, back then cats could dance). I’ll skip other stuff because I’m tired of writing but. Before long MC came along from all that chant yelling with DJ shyt, graffiti was big etc. None of it had an official name but soon or later the term Hip Hop was used to describe this thriving culture. Another thing to remember rap music still doesn’t exist as a genre. But after awhile of this singles get released Rappers Delight was big etc etc. After awhile Rap is an official genre and Hip Hop plays a huge part in Rap. DJs are more important than MCs at this point keep that in mind. B-Boying and Graf don’t play a big role in Rap, but MC and DJing do and is what puts the Hip Hop in Rap. Once rap starts to progress MC start to take top over DJs and DJs start taking on producing because it, to make it short, was in their best interests. Producers worked on the beats and got paid. They could still DJ on the side or apply DJ skill to tracks but they took on producing more. As time goes on things change. It was mostly live music in the 80s being spun by DJs on Rap cuts; by live I mean funky and B-Boy friendly to an extent. But as things progress production wise things get less and less B-Boy happy happy joy party it up and become hardcore, especially with Gangsta Rap to give things a boost. By time the early 90s roll around B-Boying and Musical Graffiti Hoodie Bugis Rap don’t go hand in hand, DJing and Rap don’t go hand in hand; it’s all about the MC plus the producers somewhat too. The only element left keeping Hip Hop in Rap music is the MC with the DJing sort of turning to production. Now lets get to the dirt shall we. You might disagree here but now there was a guy named P. Diddy who had an artist by the name of Biggie Smalls. Biggie Smalls was a fierce MC. P. Diddy had business connects in the industry: Bad Boys. P. Diddy being a smart brother knows from being around the music biz that the fans want hits. Everybody actually, in the biz, knows that fans want the big singles; I’m talking the non-Hip Hop Heads obviously. Big is a real hard NY cat who wants to do his hood shyt that real raw hardcore Hip Hop MC skills shyt, but he also knows that his chance is Puffy and Puffy wants the singles for the mainstream. So big compromises and does the singles but also does the hood shyt. Juice, One More Chance Remix. etc, the rest hood shyt. Fast forward now he starts doing his second shyt beef is big but I’m talking Hip Hop so I’ll leave the beef out. Puffy still gets Big on the single shyt because he knows that is what the mainstream feeds on. Hypnotize, Mo Money Mo Problems etc. Now I can’t say that Puffy is the only one out there on this shyt, but I’m saying he was the main influence. Ma$e, The LOX, all did those songs that had you like why are these talented cats doing these pu$$y a** tracks. To get back on topic a guy by the name of Jay-Z is creeping on the come up and he is just like Puffy same mind set. He is around Biggie Smalls does a track with him, peeps his style and what is appealing about him to the mainstream and steals it. Only thing is that he goes way farther with it. Big dies and around this time everyone is on that single mainstream shyt because that what appeals to fans. Now Jay-Z is the only cat left to be the head of NY and he is on it the hardest. Down hill. Rappers follow the Jay-Z mainstream footsteps and are on the fake shyt instead of that real hardcore street shyt. Bingo. 2000s come and MCs are still alive no doubt even with the hot single funny shyt wearing ice rocking nonsense that Puffy and Jay are set on. But big bad boy internet is now bigger than ever, and illegal downloads come into play. By the mid-2000s it gets so bad that albums sells are down. Now the make big single the rest hood tracks don’t attract labels as well. It’s all singles and because that can make the quick cash for ya. Mainstream feeds off singles and since record sells are 0 that is what label want. Who are the label heads that can really help keep things alive. Jay-Z, Puffy are good opinions. What do they do? Not support good artist that’s for sure. Now we are at the point were singles are cool for mainstream and record labels. What is hot in mainstream? drugs money sex adamn I spelled no—- knowNow think back. What was keeping Hip Hop in Rap music, the MC. But now MCing isn’t important and neither is raw hip hop production. All that is important is if its all singles, content related to sex and drugs, and music that is easy for people who can’t dance to get down to. That kills the MCing in Rap music, therefore killing Hip Hop in Rap. But, think god there is an underground were the essence of MCing still lives in Rap music, but for the most part think about it, how many people you know into underground? how many people you know care about real Hip Hop? how many people you know care about MCing. Not many. So I don’t know about you but to me barley breathing is dead. Though I would like to think Hip Hop is strong and well, I just get discouraged when people come up to me and say “You hear that new Gucci Mane he da truth”.Like I said I’m not saying Hip Hop is dead, but I mean really besides on Y!A and other places on the internet and maybe the occasional concert, where does it exist? I can’t hang out in the dining hall or rec center and go up to cats and be like, “Yo I can’t believe J Dilla’s birthday is coming up this mouth and the date of his death RIP, he’s the greatest producer no doubt, sorry Prem and Pete” because they would respond, “Who the f*ck is J Dilla, Prem, and Pete” Also can’t say, “did you get that new Strong Arm Steady it was fire but I bet it ain’t gonna mess with that Mic Tyson when it hit, Sean P is the man.” Because they’d say, Sean P, Mic Tyson, Strong who???damn there is the rest.
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http://www.youtube.com/watch?v=C99iG4HoO1cHip Hop started in NY for those who didn’t know. Anyway, once upon a time there lived broke black folk in the streets of NY who ain’t have shyt to do but wrong. Then in like super ni99er comes a guy named Kool DJ Herc, which we all know. Back then there was know rap music, which it seems must of us forget at times, so he brought out his equipment and rocked out with some funk and soul shyt like this, inspiration to black people music.http://www.youtube.com/watch?v=UuR-kDVMoqEAs you can tell from the song this is nothing like music today, it’s funky, fast. Back then dudes could get funky to this and dance. Mixing James Browns moves with that Wu Tang Kung Fu movie shyt gave way to B-Boys/break dancing (important fact, back then cats could dance). I’ll skip other stuff because I’m tired of writing but. Before long MC came along from all that chant yelling with DJ shyt, graffiti was big etc. None of it had an official name but soon or later the term Hip Hop was used to describe this thriving culture. Another thing to remember rap music still doesn’t exist as a genre. But after awhile of this singles get released Rappers Delight was big etc etc. After awhile Rap is an official genre and Hip Hop plays a huge part in Rap. DJs are more important than MCs at this point keep that in mind. B-Boying and Graf don’t play a big role in Rap, but MC and DJing do and is what puts the Hip Hop in Rap. Once rap starts to progress MC start to take top over DJs and DJs start taking on producing because it, to make it short, was in their best interests. Producers worked on the beats and got paid. They could still DJ on the side or apply DJ skill to tracks but they took on producing more. As time goes on things change. It was mostly live music in the 80s being spun by DJs on Rap cuts; by live I mean funky and B-Boy friendly to an extent. But as things progress production wise things get less and less B-Boy happy happy joy party it up and become hardcore, especially with Gangsta Rap to give things a boost. By time the early 90s roll around B-Boying and Musical Graffiti Hoodie Bugis Rap don’t go hand in hand, DJing and Rap don’t go hand in hand; it’s all about the MC plus the producers somewhat too. The only element left keeping Hip Hop in Rap music is the MC with the DJing sort of turning to production. Now lets get to the dirt shall we. You might disagree here but now there was a guy named P. Diddy who had an artist by the name of Biggie Smalls. Biggie Smalls was a fierce MC. P. Diddy had business connects in the industry: Bad Boys. P. Diddy being a smart brother knows from being around the music biz that the fans want hits. Everybody actually, in the biz, knows that fans want the big singles; I’m talking the non-Hip Hop Heads obviously. Big is a real hard NY cat who wants to do his hood shyt that real raw hardcore Hip Hop MC skills shyt, but he also knows that his chance is Puffy and Puffy wants the singles for the mainstream. So big compromises and does the singles but also does the hood shyt. Juice, One More Chance Remix. etc, the rest hood shyt. Fast forward now he starts doing his second shyt beef is big but I’m talking Hip Hop so I’ll leave the beef out. Puffy still gets Big on the single shyt because he knows that is what the mainstream feeds on. Hypnotize, Mo Money Mo Problems etc. Now I can’t say that Puffy is the only one out there on this shyt, but I’m saying he was the main influence. Ma$e, The LOX, all did those songs that had you like why are these talented cats doing these pu$$y a** tracks. To get back on topic a guy by the name of Jay-Z is creeping on the come up and he is just like Puffy same mind set. He is around Biggie Smalls does a track with him, peeps his style and what is appealing about him to the mainstream and steals it. Only thing is that he goes way farther with it. Big dies and around this time everyone is on that single mainstream shyt because that what appeals to fans. Now Jay-Z is the only cat left to be the head of NY and he is on it the hardest. Down hill. Rappers follow the Jay-Z mainstream footsteps and are on the fake shyt instead of that real hardcore street shyt. Bingo. 2000s come and MCs are still alive no doubt even with the hot single funny shyt wearing ice rocking nonsense that Puffy and Jay are set on. But big bad boy internet is now bigger than ever, and illegal downloads come into play. By the mid-2000s it gets so bad that albums sells are down. Now the make big single the rest hood tracks don’t attract labels as well. It’s all singles and because that can make the quick cash for ya. Mainstream feeds off singles and since record sells are 0 that is what label want. Who are the label heads that can really help keep things alive. Jay-Z, Puffy are good opinions. What do they do? Not support good artist that’s for sure. Now we are at the point were singles are cool for mainstream and record labels. What is hot in mainstream? drugs money sex adamn I spelled no—- knowNow think back. What was keeping Hip Hop in Rap music, the MC. But now MCing isn’t important and neither is raw hip hop production. All that is important is if its all singles, content related to sex and drugs, and music that is easy for people who can’t dance to get down to. That kills the MCing in Rap music, therefore killing Hip Hop in Rap. But, think god there is an underground were the essence of MCing still lives in Rap music, but for the most part think about it, how many people you know into underground? how many people you know care about real Hip Hop? how many people you know care about MCing. Not many. So I don’t know about you but to me barley breathing is dead. Though I would like to think Hip Hop is strong and well, I just get discouraged when people come up to me and say “You hear that new Gucci Mane he da truth”.Like I said I’m not saying Hip Hop is dead, but I mean really besides on Y!A and other places on the internet and maybe the occasional concert, where does it exist? I can’t hang out in the dining hall or rec center and go up to cats and be like, “Yo I can’t believe J Dilla’s birthday is coming up this mouth and the date of his death RIP, he’s the greatest producer no doubt, sorry Prem and Pete” because they would respond, “Who the f*ck is J Dilla, Prem, and Pete” Also can’t say, “did you get that new Strong Arm Steady it was fire but I bet it ain’t gonna mess with that Mic Tyson when it hit, Sean P is the man.” Because they’d say, Sean P, Mic Tyson, Strong who???damn there is the rest.
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Musical Graffiti Hoodie Bugis
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August 10th, 2010 at 6:10 pm
This is the best joint on my Ipod. I can’t wait to see these guys live. The description above is accurate – punk rock and rap, but done in a new way – incredible turntable skills, raw crunching but tight guitars, smart underground rap lyrics (you’ll grab for the liner notes just to follow MC Skoolz’ dazzling word play) and old school punk refrains. The music has a new energy, sense of humor, and all the good things from the two genres it embodies. This is one complete album – no filler from first track to last.
August 11th, 2010 at 6:41 am
If you like the lyrical complexity of hip-hop and the aggressive immediacy of punk guitars, this band will rock you!!
August 11th, 2010 at 6:12 pm
From the immortal words of “Starfish and Coffee”…”If u set ur mind free baby, maybe u’ll understand”….That is the best way to sum up Graffiti Bridge. U have 2 open ur mind and take the journey with Prince. Have a couple of glasses of red wine and share ur bed, watch Graffiti Bridge and immerge urself in the mystical world of Prince. I enjoyed the trip and let Prince take control and really get n2 tha movie. I loved hearing and watching “Elephant and Flowers” and “Tha ? of U”. It’s some of Prince’s best works incorporated into film. The message of Graffiti Bridge is simple, DON’T GIVE UP HOPE. I loved being in Prince’s mystical Graffiti Bridge world, it’s better than any reality I know. I wish I could live in Prince’s world. There are no rulez in Paisley Park. Graffiti Bridge is a wonderful lil film and I enjoyed being a willing participant in tha journey. It all comez out in tha wash………..