The DVD was well packaged and new. I have had no issues with my DVD. Good service.
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August 17th, 2010 at 11:15 pm
From the immortal words of “Starfish and Coffee”…”If u set ur mind free baby, maybe u’ll understand”….That is the best way to sum up Graffiti Bridge. U have 2 open ur mind and take the journey with Prince. Have a couple of glasses of red wine and share ur bed, watch Graffiti Bridge and immerge urself in the mystical world of Prince. I enjoyed the trip and let Prince take control and really get n2 tha movie. I loved hearing and watching “Elephant and Flowers” and “Tha ? of U”. It’s some of Prince’s best works incorporated into film. The message of Graffiti Bridge is simple, DON’T GIVE UP HOPE. I loved being in Prince’s mystical Graffiti Bridge world, it’s better than any reality I know. I wish I could live in Prince’s world. There are no rulez in Paisley Park. Graffiti Bridge is a wonderful lil film and I enjoyed being a willing participant in tha journey. It all comez out in tha wash………..
August 18th, 2010 at 11:13 am
I always felt that PR was a rather tacky film; the only thing I did care about it was, of course, the music. That seemed to be the main reason I didn’t try this movie, thinking it would be another PR. But that just isn’t the case. Yeah, it’s the sequel of sorts, but it’s much less a movie about Prince/The Kid as was PR, and more Prince’s music taking life on film. It takes on a musical film quality, too; instead of just seeing Prince and the Time on stage, you see music performed on the streets, atop buildings, and while that all may seem a little cliche, Prince’s deliverence takes that cheapness away from the atmosphere.
Another point is that this movie is much classier; the music is more refined (though I’m sure many will disagree that the soundtrack is better than PR); there is no nudity only moments of suggestion, a very appreciated direction (the movie definitely has sexuality, but not so blatant); it’s funny and often cute, but not corny (and Morris Day is perhaps the greatest, and oddest, villian ever); and it’s a movie by/of Prince, so there really wasn’t much of a third party to drag the film from his own vision. Honestly I probably can’t say enough good things about it. Oh, and I may as well say that even though Prince once again wins over the bad with the projection of a strong ballad, it wasn’t done in the uber-cheesy way that resolved Purple Rain.
And above all the movie really inspired me. Instead of Prince being torn between his music, sex, and a rival, in GB he struggles between his music, business, and love; it’s to me the ‘big picture’ that The Kid from Purple Rain wasn’t seeing. I really felt what Prince meant to do, to rise above the things that tear away and bite at art.
I do hope that people’s reactions to this movie aren’t the only reason keeping Prince from releasing any more of his alleged films. Each of his albums really are a story in their own right, and this film is a visualization of such a story. If Prince released a film for every album he made, I’d love them all just the way I love the music (though I think I’d feel a little differently toward the rhetorical film of his Come album).
August 18th, 2010 at 10:49 pm
Graffiti Bridge is for die hard Prince fans. The music is great. The action takes place on a small set. Prince should’ve incorporated more scenes on location instead of filming most of the movie on one small set. Ingid Chavez acting is not that great. I enjoyed the movie because Prince and Morris Day and the Time are fun to watch. I recommed the movie to all Prince fans.
August 19th, 2010 at 11:19 am
Somewhere is the cogent idea to this 1990 follow-up to the classic Purple Rain. Unfortunately, it cannot be found in this weak script that is loosely taped together with numerous music videos.
Prince reprises his Purple Rain character, The Kid, who is now a performer and co-owner of a club, the Glam Slam, with his former rival (Morris Day). Business turns sour when The Kid is “asked” by his partner to pay shakedown money to the mayor. So, in a quest for truth, justice and full ownership of the club, The Kid challenges his business partner to a music battle.
The plans for the movie started in 1987, but delays – primarily due to casting problems – kept delaying its production. Prince was king with Warner Bros. due to his incredible marketing power of cross-promotion within many categories of pop culture. But the movie was a box office bridge to nowhere and showed that all that glitters is not necessarily golden when created by this incredible artist.
August 19th, 2010 at 10:32 pm
I always felt that PR was a rather tacky film; the only thing I did care about it was, of course, the music. That seemed to be the main reason I didn’t try this movie, thinking it would be another PR. But that just isn’t the case. Yeah, it’s the sequel of sorts, but it’s much less a movie about Prince/The Kid as was PR, and more Prince’s music taking life on film. It takes on a musical film quality, too; instead of just seeing Prince and the Time on stage, you see music performed on the streets, atop buildings, and while that all may seem a little cliche, Prince’s deliverence takes that cheapness away from the atmosphere.
Another point is that this movie is much classier; the music is more refined (though I’m sure many will disagree that the soundtrack is better than PR); there is no nudity only moments of suggestion, a very appreciated direction (the movie definitely has sexuality, but not so blatant); it’s funny and often cute, but not corny (and Morris Day is perhaps the greatest, and oddest, villian ever); and it’s a movie by/of Prince, so there really wasn’t much of a third party to drag the film from his own vision. Honestly I probably can’t say enough good things about it. Oh, and I may as well say that even though Prince once again wins over the bad with the projection of a strong ballad, it wasn’t done in the uber-cheesy way that resolved Purple Rain.
And above all the movie really inspired me. Instead of Prince being torn between his music, sex, and a rival, in GB he struggles between his music, business, and love; it’s to me the ‘big picture’ that The Kid from Purple Rain wasn’t seeing. I really felt what Prince meant to do, to rise above the things that tear away and bite at art.
I do hope that people’s reactions to this movie aren’t the only reason keeping Prince from releasing any more of his alleged films. Each of his albums really are a story in their own right, and this film is a visualization of such a story. If Prince released a film for every album he made, I’d love them all just the way I love the music (though I think I’d feel a little differently toward the rhetorical film of his Come album).