Complementing hints on Graffiti Creator 2 Game

August 28, 2010 - 9:55 pm 4 Comments
graffiti-creators Complementing hints on Graffiti Creator 2 Game

This book is pretty thick and has tons of great photos and a lot of text to read. i feel like its one of the better graff books out there, and ive read a lot. the only thing i dont like about it, is its more about piecing and less about bombing, but thats all prefrence. theres a lot of good quotes from past and present nyc writers that i do find very intresting. definetly worth adding to any collection.

Help with art Homework……………………?
My art teacher gave us an assignment and we have to find the answers to all the questions. She said we were able to use any resources (Technically yahoo answers is one) If you know the answers to any of them please tell me, it doesn’t have to be all of themTYVM :) Here are the questions:1.Controversial,graffiti Graffiti Creator 2 Game artist friend of Warhol’s2.Cartoon-like artworks3.AdHd scientist,mathematician,artist,inventor,poet4.Plaster “ghosts” of people5.Waterlilies6.Painted scenes of southwest us (an artist)7.Artwork consisted of line symbols8.Dream or nightmare scapes9.Cubist(an artist)10.Created pointillism11.Greatest marble sculptor of all time12.Surrealist and creator of “Limp watch picture “Persistence of Memory”13.Super-realistic sculptures of people14.Printed coco-cola bottles and Cambell’s soup cans15.Perhaps the greatest fresco muralist of history._______________No idea if this should be in homework or visual arts section.
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Graffiti Creator 2 Game


graffiti-creators Complementing hints on Graffiti Creator 2 Game

4 Responses to “Complementing hints on Graffiti Creator 2 Game”

  1. Jeffre Says:

    This is a small-format book, easy to tuck into a purse, with nice quality (even if a bit small) photography. It claims to present “simply the best graffiti from around the world”, but I would dispute that claim. It’s a nice collection of photographs by one man, ‘KET’, who has been active in the graffiti movement for a long time. That’s all. It’s not an exhaustive survey of the world’s best graffiti, like the book ‘Graffiti World, Street Art from Five Continents’, but then, what do you expect for $11.00?

  2. Irish Says:

    i purchased this product for my brother as a christmas present and it arrived just in time like promised and it was cheaper than if i would have bought it at a book store. it still had the original price which i liked.

  3. Iverson Says:

    ABSOLUTELY AN AMAZING COLLECTION! THE ART IS GREAT, I LOVE IT! BIG PROPS TO THE SCENE

  4. Nader Says:

    Street artist/fine artist Nicholas Ganz, author of Graffiti World, offers urban art enthusiasts a second round of exceptional research and art compilation, this time concentrating on the pioneering contributions of women to contemporary graffiti writing and artwork. Having always been a part of the street art front lines, female graffitisans are typically overshadowed by the men in the ranks due to sheer numbers rather than any lack of innovation or talent. Ganz, along with author Nancy Macdonald and co-conspirator Swoon have produced an exhaustive narrative that tells the intricate story of graffiti writing women. Included are the artist’s personal stories and their insights into the male-dominated urban art world.

    The Ganz collection, like his earlier work, promotes the efforts of praiseworthy, marginalized artists. In the case of Graffiti World that marginalization occurred as a result of the art form itself. In Graffiti Women, it’s not the “second-best”, urban artist that is lauded but the women who are graffiti writers that receive the exhaustive and well-deserved coverage. Although the author’s intent is not to be divisive, it is unfortunate that our cultural approach to acknowledging one another centers around labeling people as either “blank” or “female blank”. In Three Artists: (Three Women), Anne Middleton wrote:

    To identify an artist this way, as a woman, has never been a merely parenthetical remark. The qualification has customarily been offered as a limit to, rather than a guarantee of, suitability for the artist’s role – with mostly irritating results for the artists themselves. (2)

    Nicholas Ganz does a unparalleled job of describing the contribution of almost two hundred women who work in the urban art genre. His book will continue as a permanent part of my small but well-loved collection and I will continue to wonder whether the world is best served by keeping the commendation of exemplary women separate from that of men.